SELECTED EXHIBITIONS
The Architecture of Memory, 2013, synthetic polymer paint on chromogenic prints, dimensions variable. Before acquiring my first digital camera, I accumulated numerous 4 x 6-inch color prints from film negatives that were out of focus, underexposed, or overexposed; eventually, some depicted people and places I could no longer recall or identify. In The Architecture of Memory, I obscure parts of these images and repurpose them into installations that formalize their inherent instability. Installation view, Jen Bekman Gallery, New York, NY.
Trace, 2012, site-specific. This project responds to the history and architecture of the former Howland Library in Beacon, New York. Designed in 1872 by Richard Morris Hunt, the building served as the city’s public library until 1976, when the book collection was relocated. In Trace, effigies of the books were made from tracing paper and arranged on the remaining bookshelves. Installation view, Howland Cultural Center, Beacon, NY.
Threshold, 2007, metalized polyester, dimensions variable. Presented as part of The Uncanny Valley at the Samuel Dorsky Museum of Art, Threshold is an institutional-scale curtain wall made of reflective material that mirrors the entire room and is subject to unpredictable air currents and visitor interactions. Installation view, Samuel Dorsky Museum of Art, New Paltz, NY.
Folly, 2005; wood, cardboard boxes, mailing labels, tape. Hudson, NY
Ex Natura, 1993, Rena Bransten Gallery, San Francisco, CA
MFA Exhibition, 1992, Mills College Art Museum, Oakland, CA